There are four different compressor modes to try that model different analog workflows. As with EQ’s, a mastering engineer would require a stereo or dual mono compressor. UAD SSL 4000 G Bus Compressor. If one was suitable to use for light compression during a mastering phase, that would be icing on the cake, but I am already somewhat settled on using the Slade Digital FG-X plugin for mastering. The EQ Roundup The fixed value, single slider compressor that’s been around longer than some of the people using it. Valley People Dyna-Mite (compressor/limiter/gate/expander). There is an auto-gain option above the “Gain” fader. The UREI 1176 has long been considered a classic FET style compressor, providing punch and color for decades. The Solid State Logic G console is a famous unit that has inspired many plugins. Level up and support Resoundsound on Patreon. The most unique feature of this unit is its Stereo Field Editor section. Bettermaker Darthlimiter Analog Mastering Limiter - Limited Edition . There’s no need for three EQs, several saturators, and a few compressors. The setting I often like to use on the mix bus is “Slow” attack, fastest release, max 3 dB of gain reduction and dry/wet knob set to around 20-30%. Top 3 FREE Mastering MULTIBAND Compression Plugins | Ultimate Guide! Last Updated on January 1, 2021. Acustica’s TAN compressor was modelled from classic analog VCA compressors. Download TAN for free here. With all of these unique features and transparency in mind, this compressor would be a solid candidate for mix-bus application. Here are some popular choices for mix-bus applications. The plug-ins allow you to semantically annotate your sounds in the mix, whilst giving you access to a wealth of semantically meaningful presets. Toby For mix-bus compression, the 1176 can be a great choice. Now that we have a better idea about what a compressor does and how we may use it lets take a look at some of the best compressor plugins for Pro Tools out there: Waves SSL G-Master Buss Compressor. The SSL Bus Compressor in particular has become a secret weapon on the mix bus for many producers. This makes it easier to do before/after comparisons. Remember to work with the makeup gain to keep your levels in check. This one is an emulation of the master buss compressor on the amazing SSL 4000 G console. Waves teamed up with SSL to create the 4000 series which contains EQs, channel strips, and this compressor. Even if you rely exclusively on plug-ins, passing your entire mix through high-quality analog gear can really give it a classic studio sheen. Both of the compressors can be set to operate in feed-forward or feedback modes for different types of compressor reaction. We all like a punchy mix that sounds cohesive, and mix-bus compressors have achieved this for many engineers. Pushing the output gain to distortion often sounds very good. It can easily turn a dull, unbalanced mix into a professional-sounding masterpiece. This plugin is typically used for master bus compression, but also shines when your goal is to tighten up drums or piano. For mix-bus compression, the 1176 can be a great choice. In addition to selectable attack and release times, it also features a program-dependent release setting that’s great for adding punch to drums. Waves RVox. Often low-frequency content, like kick drums and basses, will trigger the compressor(s) and pull down the gain of everything happening at the same time, even if they might not need compressing. For all of you precision freaks out there! Referred to as Twin Topology, the compressor can either engage a tube amplifier or defeat it to use a solid state amplifier. Typical uses for the 1176 are drum compression or limiting because of its quick attack and release times. The single knob limiter features Neve’s Adaptive Release technology which can react to sharp transients and slow transients simultaneously, allowing for even more dynamic control with simple operation. The attack times of this compressor will allow for quick detection of fast transients if your mix contains many percussive or loud elements. If your mix has many quick transients, the 2-1176’s attack and release can tame your mix while also giving color through the FET circuit. ... but it’s a transparent compressor that is just at home on a master buss as it is on a track group. The Mid/Side section can give you a mono mix to work on and then enhances your stereo field. Waves SSL G-Master Buss Compressor. The G-Series Bus Compressor is a VCA-based stereo unit from the UK’s Oxfordshire-based Solid State Logic, derived from the circuits found in their legendary 4000 G-series console.The SSL excels at one thing only: stylish-as-hell bus compression, either on sub-mixes or the master bus itself. TDR Kotelnikov is the best freeware mastering compressor. The TAN compressor has a unique ShMod knob. Open the extended panel (top right corner of the compression module) and learn to make use of the M/S features! This plugin is typically used for master bus compression, but also shines when your goal is to tighten up drums or piano. VCA compressors can be found on SSL channel strips, API compressors, and gear from Rupert Neve Designs. With so many forms, it is easy to integrate this unit into any studio. If you’re looking for a bit more color, a strong alternative to the SSL 4000 G Bus is the Vertigo VSC-2 ($299). That includes fast attack time, light … Simply upload a finished mix: We'll master your song and send back a 1-2 minute sample at no cost. Some of the most popular compressor units like the classic SSL Bus compressor or the DBX 160 have demonstrated the qualities of VCA to producers and engineers. Often very simple units a buss compressors job is to 'glue' all the elements of a track together and make mixes sound bigger with more punch and character without loosing clarity. Compressors. I typically do only 1-2 dB of both high and low-level compression on the mix bus. Just like Neve consoles, The Portico II MBP (Master Buss Processor) is the best bet for the big recording studios. It’s the channel that all of the audio from a session flows into. With all of these features, the Portico II proves itself a worthy bus compressor full of versatility. Create a new audio track in your DAW and drop CM205 Track.wav onto the channel. Oh, and it's worth a try on instruments, too - we like what it can do on a drums bus, for instance. Because of its optical style compression, the TCL-2 will does not beat the competition of VCA and FET circuits in attack speed. If you’re an iZotope blog regular, you’ve probably read a lot of mastering tips and tricks for EQs, compressors, limiters, imagers, and every other processor around.But what about choosing an order for these things? Modeled on the master buss center compressor of the SSL 4000 G console, the SSL G-Master Buss Compressor plugin captures every nuance of the original’s … Yes, there are exceptions. In fact, many pros don’t use master bus processing at all. Universal Audio Teletronix LA-2A ... LDC2 has an analog-sounding compressor and an expander that features exchangeable optical circuits as well as a solid-state preamplifier. Many engineers love them for their predictability and repeatability. 4. Interestingly, it's one of the few master bus compressors we've found to be useful with complex, full-on material like extreme metal, as it can control these mixes without simply overreacting. | 3 Secrets You Need to Know…, Better Density is a Bus Compressor that offers smooth and versatile dynamic processing on the stereo bus. (What’s the Difference? The MPressor is more of a drum-buss comp. This circuit allows for control over the stereo width among certain frequency bands giving you more tone shaping control for your mix. To that end, I decided to do a deep comparison of some of the most interesting and most heralded plugins for the mix bus and mastering purposes. Acustica’s TAN compressor was modelled from classic analog VCA compressors. It’s a versatile compressor that gives you a wide range of adjustments. While most Digital Audio Workstations, or DAWs, provide you with loads of great stock plugins, compressors included, you might be looking for some new ones that have a … The CL 1B achieved its fame using a smooth, musical type of compression with an optical circuit and a tube output stage. Best 12 Free Compressor VST/AU Plugins for Punchy Mixes! The 670 will add its famed color to your mix without squashing your dynamics, leaving it with a smooth sound full of tube character. I am not going to lie — to this day it is still one of the best compressors, particularly for vocals, ever made. 9 Best Vocal Compressor Plugin VST Software – Mixing the Perfect Vocals Let’s get your vocals under control with the best vocal compressor plugin software. Dangerous Music’s Compressor has gained popularity for transparency even when pushed to its limits. ... release setting is the best bet. The Alpha has the best … The “Slow” attack time on the Slam version of the plugin is great for a punchy sound on the mix bus. equipped with two channels of compression and limiting as well as stereo field editor is able to add your mix … For me, a hard knee compressor seems to work best - 3:1 (i´m mixing acoustic music a lot, with real drums and real players), though - I didn´t have much luck with a VariMu comp or other soft knee comps on the 2-bus. I like to set the attack time to '3' or '10' and release time to 'Auto' on a mix. Limited Edition $ 3,799.00. or $159 /month for ... Tegeler Audio Crème RC Bus Compressor/Mastering Equalizer ... You guys provided me the absolute best deals in ordering all the equipment to power my brand new recording studio. While signal chain composition isn’t discussed much, it’s an integral step in mastering. They will let you set the compressor to react differently to different frequencies. It’s very grabby, very musical, and it makes things punch. We load Native Instruments' Solid Bus Comp - a plugin emulation of the classic SSL G-Series Buss Compressor - as an insert on our track. The VSC-2 is a VCA compressor that mellows out most sounds and provides an unmatched level of rich tonality. Shadow Hills Industries Mastering Compressor Mastering-grade Compressor/Limiter with Optical and Discrete Compressor Sections, Sidechain Filter, and Transformer Switching Matrix $8,962.00. This compressor sports two different types of circuits to help shape your sound. With its classic style, performance and bang-for-buck, it re-levels the playing field for units of this kind.” Best Beatles: Chandler Limited Opto 500. Now free from the master section of the original console, this legendary VCA unit comes in a 1U rack unit, 500 series, and SSL X-Rack module. Experience the clarity that professional mastering will bring out in your music. It allows you to fine-tune the shape of the attack. The SAFE Compressor is a relatively transparent compressor that excels in subtlety in comparison to the biting Rough Rider or tube-emulating MJUCjr. Features: Analogue Modelled Buss Compressor. You’ll always get the right tool for the job if you know what a compressor does, the different compressor types and where they work best. Using its built in high pass filter, you can make sure that your low end isn’t triggering the gain reduction. This compressor does not have a mix knob so be careful with the fast attack settings. SSL Master Bus Compressor . Transient heavy material will sound punchy and be caught by the 2500 easily. You can go in very hard with this compressor and then dial it back with the mix knob. Dedicated Home Studio (plug-ins): FabFilter Pro-C or TDR Kotelnikov GE. Use the bypass switches on the threshold faders to hear the difference between processed and unprocessed signals. You can really enhance and polish your mixes by running through a compressor … FREE vs. The RMS meters will help you too, and it’s nice to have precise input and ouput gain faders in the master section too. Not a first choice for extreme compression effects, but a linked pair is ideal for group and mix buss compression. It offers a clear and classy sound that enhances punch and impact while providing the “glue” factor that makes a mix sound cohesive and integrated. The compressor and limiter in concert provide clean, transparent, musical and precise dynamics control along with lots of other features that let … TDR Kotelnikov is a must-have compressor VST plugin for … This is enough to give me a nice boost in overall volume without changing the character of the mix much. The Winter NAMM Show was the only one of the traditional industry gatherings that narrowly escaped the virus this year (it’s been cancelled for 2021, though).At the show, WesAudio unveiled its vision of a modern VCA bus compressor. When you use the unit to limit, the effect and color become much more apparent, but even when pushed, the signal will not suffer from artifacts as result of the effect. The SSL Stereo Bus Compressor Module offers selectable ratios of 2, 4, and 10. The VCA design allows for versatility of genre and transient levels and transparency when required. Like other tube compressors, the attack time on the 670 is not going to yield the fastest response to quick transients, often leaving it off of the list for hard transient taming, yet its ability to glue mixes together remains among the best. Use the Leveling Tool to compress your recordings and add analog-style saturation. You don’t want your compressed end result sounding any quieter or louder than your unprocessed signal. Attack settings of 10 or 30ms are the safest. “What are the best compression VST plugins out there in 2021?” Compression is an absolutely essential part of mixing. Get a Free Mastered Sample for Your Song >. See price @ FabFilter Pro-C 2 / Sweetwater As of this article, the FabFilter Pro-C 2 is the latest version of the compressor plug-in that comes with the much-celebrated FabFilter suite. This multi-feature VCA compressor. This may not be the piece of gear you choose to glue together mixes that are lighter on transients, but the punch and color of the 2-1176 can add life, clarity, and a cohesive sound to the right mix. Personally I find myself going with the “Modern” compression mode most of the time. Privacy policy. Price £1,195 The original version of this popular compressor was found strapped across the main stereo output of SSL’s classic 80s-era analog consoles, the 40000G series. For a more aggressive sound, bring down the attack and use a faster release time. I gives you the freedom to slam things to your heart’s content and then back off the effect until it’s just right. The Portico II MBP (Master Buss Processor) continues this tradition of quality in this multi-feature VCA compressor. Be gentle. Ozone offers great facilities for working with the gain. This helps to make better decisions and not cloud your judgment by volume differences. Master Buss Processor: Mastering Compressor / Limiter / SFE “The MBP is a remarkable piece of analog hardware. An outstanding achievement and the best mastering compressor for electronic dance I’ve ever heard. The Waves SSL G-Master Buss Compressor is quite old also (if I am not mistaken, the SSL series were the first analog … Its attack and release time are on the slower side in comparison to VCA or FET circuits so this may not be the tool for taming harsh transients, but the warmth, clarity, and glue are worth giving this compressor a try on your mix-bus. It makes modeling more detailed and precise. This unit is found in many mastering studios throughout the world because of its ability to add the final glue that many mixes benefit from. Described as clean and transparent, the Focusrite RED 3 can function as a dual mono or stereo linked compressor making it useful for individual track or bus operations. The Glue is an analog modeled compressor plug-in based on The classic 80's British big console buss compressor with some handy additional features. It has all your standard compressor parameters (threshold, ratio, knee, attack, release, and gain) alongside a simple graphic display that offers a visual reference for your compression curve. The problem is that you’ll need two of them because of their mono design. - … Bus Compression. Two examples are the SSL G-Master Buss Compressor and the API 2500 Compressor. Enter the 2-1176, a stereo version of the classic compressor. The best 5 free compressor plug-ins! The feed forward mode aims to be transparent and the feedback mode gives a vintage vibe with a musical response. The Waves SSL G-Master Bus Compressor is a classic plugin, modeled after a classic compressor. The SSL G-Master Buss Compressor is easy to set and is adept at all types of mix bus compression. And in general, the more processing you send a mix through, the smaller it will sound. Semantic Audio Plug-ins are cross-platform DAW audio effects. Good ol’ RVox. Very helpful, especially when doing Mid/Side compression! And the master bus compressor is arguably the tool that leaves the largest imprint on everything as it works on the master bus, which constitutes the entirety of the song. I’ll be the first to admit there is a lot of good competition out there in the category of SSL style bus compressors. The results are sorted by date added (newest first). This compressor is known for bringing clarity and warmth to your mix, achieving this through the use of tubes to perform the gain reduction. Mix bus compression is the act of adding compression to your entire mix. Waves - SSL G-Master Buss Compressor (Best Master Buss Compressor) - $249 The problem is that you’ll need two of them because of their mono design. 5 Reasons to CHANGE Your Mastering Approach, Mastering Sauce! Originally a feature of the SSL 4000 console, the G Series Bus Compressor has gained popularity over its signature tone and glue that it imparts on mixes. Sporting two channels of compression, limiting, and a stereo field editor, this unit looks to be a multifaceted tool for improving upon your sound. Introduced in 1993, the Empirical Labs EL8 Distressor is one of the industry’s most highly coveted analog compressors. It’s quite innovative and forward-looking as the other plugins in the collection, and has a impressive amount of features and functionalities, with on of the best user interfaces out there. It also shows off features such as Auto Attack/Release, True Stereo Dual Detector, and Smart Dynamics Dual Slope Detection (an auto limiter designed to prevent pumping due to peaks). 3. This software version definitely can add some analog sounding 'glue' to your mix. If you need a way to add the glue and polish to your mixes, check out the Waves SSL G-Master Buss Compressor. You quite often see them on the master bus, on groups of instruments, on guitars, basses, drums, even vocals. Now, this biggest challenge is not limitation, but rather figuring out just which EQs are worth your time! I typically find the sweet spot at around 1dB of gain reduction. I absolutely recommend reading it. 5. You can also just hit it around 1 dB with dry/wet knob set to 100%. It uses the same high quality algorithms used in circuit simulators, but optimised to run fast, and features a gorgeous fully scalable user interface. The M/S functionality and the powerful sidechaining together bump up this compressor to a new level. Download TAN for free here. If the VSC-2 were a person, it would be your friend with an over-the-top personality. In this guide I’ll go through each style of compressor, recommend a smart choice for every budget and show the best ways to use them in your mix or master . Opposed to many other compressor styles, the ratios in the Vari-Mu go up slightly as the amount of gain reduction applied increases. The color of this compressor is part of the sound of the 4000 console, giving your mix an expensive analog character as well as the glue it has become a classic for. It allows you to fine-tune the shape of the attack. There are tons of compressors available, but they are not all created equally. The bell filter is especially nice to have for making the compressor react more on certain frequencies. Its optical design makes it a great choice for smoothing out the overall dynamic of a mix while retaining clarity. To put it simply, compression automatically levels out the peaks of your track, making the waveform more even and with less “spikes” in volume.. Ideal for finalizing mixes in-the-box but can be used for taming individual tracks in a mix. From famous consoles and preamps such as the 1073, Neve has set standards for high quality audio equipment since beginning in 1961. Search results showing audio plugins for all operating systems (Windows, MacOS, Linux, iOS and Android), tagged as Mastering Buss Compressor. You don’t want to kill your transients. While VCA’s are often viewed as fairly transparent, the 2500 definitely adds a color that gives mixes the API sound. It’s an “opto” style compressor that adds … The output/monitoring section of the plugin has options for soloing the Mid and Side components of the material, as well as checking how your mix sounds in mono. - … The G-Series is known for bus compression that makes a mix sound huge and punchy. It's like the discovery of atomic energy. A digital recreation of the famous Solid State Logic 4000 G Console’s compressor. It’s a versatile compressor that gives you a wide range of adjustments. The G Master Buss Compressor transformed mixes. I like to keep it on but then fine tune the gain manually. This compressor is a classic for a reason and will tighten up your mix with some API color as an added bonus. It is known for its coloration due to its variable mu method of gain reduction. There are three ratio choices; 2:1, 4:1 and 10:1. Subtlety is key. Like the SSL 4000 G Bus, the Vertigo VSC-2 is a VCA (voltage controlled amplifier) compressor, but instead of providing crisp compression, it adds an … The UREI 1176 has long been considered a classic FET style compressor, providing punch and color for decades. There are three modes that allow for low end rolloff and high end boost to give the appropriate amount of punch to your mix through reduction of low end sensitivity. 5. The RED 3 also features a single knob limiter to help control the sharpest of transients, auto release times, and key inputs selectable via a button on the front panel. Other features include an auto release and ratios from 1.5:1 all the way up to 10:1 making this a great bus compressor for all styles. This legendary unit has provided glue and punch for many mix and mastering engineers alike. The jumper options are explained in the manual so make sure to have a look at that. U73b has two operating modes: compressor and limiter. Equally, you could use it to clamp down or widen the stereo field. Business Bureau. Your email address will not be published. I am not going to lie — to this day it is still one of the best compressors, particularly for vocals, ever made. The SSL Buss compressor is arguably the best compressor on a mix buss. Best Compressor Plugins for Pro Tools. The G-Series Bus Compressor is a VCA-based stereo unit from the UK’s Oxfordshire-based Solid State Logic, derived from the circuits found in their legendary 4000 G-series console.The SSL excels at one thing only: stylish-as-hell bus compression, either on sub-mixes or the master bus itself. This technology gave rise to classic units like the DBX 160 and SSL Bus Compressor. Compressor has lower threshold and a more gentle ratio that increases with the gain reduction. Dissatisfied with these approaches, Slate Digital put their heads together to devise an alternative: FG-X. PRO Mastering Chain | Tested! Developed by the audio experts at Tokyo Dawn Labs, this plugin delivers transparent dynamic range compression suitable for use on the master bus. As each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there… Compressors are used to control the dynamic range of the audio. The master section has a “Gain Match” option to further help you match the level of your processed signal to the unprocessed one. Mix-bus compression has been used in countless recordings. It’s based on the center compressor of the SL 4000 G console and aims to recreate the sound of the original unit’s IC input and twin VCA gain-reduction amplifier design. The results are sorted by date added (newest first). The analog button turns on and off the analog modeling, giving you some subtle options in how clean and warm the audio sounds. This versatile compressor plugin is super fast and injects a ton of color. Check out the different options in the “Jumper” menu. Learn to use the sidechain filtering options. Make use of these facilities! Because of its transparency even at high ratios, this unit could provide the perfect glue for a mix you may not want to color as heavily. The XStudioToolz Stereo Buss Compressor can be used on the Master Buss and also on sub-groups (Drum Groups etc). The mix bus is another name for the output of your DAW. Considered to be a classic bus compressor, the API 2500 is a VCA style compressor with many features that allow it to fit whatever kind of mix you may be working on. With all of these unique features, the Dangerous Music Compressor makes sure your mix remains at the highest quality the entire time it is in use. It is very useful, especially on the mix bus where you may not want the compressor to react to the bass too much.
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