The original lyrics (“Tutti Frutti, good booty / If it don’t fit, don’t force it / You can grease it, make it easy”) were so, well fruity, they made ‘Relax’ seem like a Vera Lynn track. Smiley Lewis was already in his 40s when he recorded the first version of ‘Blue Monday’, later a hit for fellow New Orleans musician Fats Domino. King to Back To The Future, it was included on the Voyager Golden Record, a selection of discs sent into space to demonstrate the cultural capacity of life on earth. Greatest Traditional Pop Songs Of The 1950s 1. The list on this page is for all #1 hit R&B singles for 1950 using proprietary methods. Little Richard’s best track was revolutionary in terms of how it shaped rock and roll, not just in musically but in its pioneering use of double entendre. Source: _Billboard's Hottest Hot 100 Hits_ compiled by Fred Bronson (c)1995. Written as a pledge of marital devotion and penned as a ballad, it was producer Sam Phillips who suggested the breezy, arrangement. With two dozen people voting for more than 500 songs, we whittled the list down to the top 100 hits of the ‘60s. Vladimir Putin attempted it live last year – every time someone watches that rendition, a cat is tortured somewhere on the globe. It’s also been covered by constipated ersatz soul bellower Michael Bolton, so is clearly indestructible. The track also led Cash to perform an entire set at Folsom Prison, which was recorded for a successful live album. It was Diddley’s first ever recording and from day one established the Bo Diddley Beat, a frenetic pattering rhythm that underscored a career and set Buddy Holly and The Rolling Stones on their own rhythmic adventures. ‘Rock And Roll Music’ is a quickfire tribute to the form, a skidding, popping workout written by Berry and produced by the Chess brothers for their own leading blues label. LA vocal group The Platters made their name with this – their second and biggest hit, a US No.1 and UK No.5. Being broke never sounded so good. Dad of cult funk artist Shuggie, Johnny Otis was a bandleader and multi-instrumentalist who spent as much time discovering and nurturing new talent – Etta James for one – as making his own records. The list on this page is for all #1 hit Pop singles for 1950 … It lists every song that has ever entered the Top 100 Singles Chart in Australia since 1950. Decades after it was released, ‘Walkin’ After Midnight’ would be referred to as “David Lynch-esque”. This page lists the top songs of the 1950s in the source charts.The way that the various charts are combined to reach this final list is described on the in the site generation page.A list of the hit albums of the 1950s can be found here.. This was the second song Robert Johnson ever recorded, but its creation has also been attributed to Elmore James. ‘Rock Me Baby’ is an essential part of any blues grounding, cropping up in the oeuvre of Jeff Beck and The Animals and on Otis Redding’s 1965 classic ‘Otis Blue’. This track was famously used as a key part of his gig routine, when a handler came out, covered Brown in a cape and escorted a seemingly overwrought Brown off-stage. Not bad for a tune about footwear. The Everly’s celestial harmonies were goose bump inducing, and would later influence everyone from The Beatles to Fleetwood Mac. A cover of the bluesy Big Mama Thornton track, Elvis changed the track into hip-swiveling pound of rolling drums and grinding guitars that set teenage girls alight and made parents blush. The birth of rock ‘n roll meant that screaming teens were the norm. Hard to re-appraise objectively after its use and abuse on films and adverts – from Hot Shots to So I Married An Axe Murderer, Alvin And The Chipmunks and beyond – over the years, The Platters’ sweetly harmonised ballad is nevertheless a total classic. One of the earliest records to explore distortion and feedback it’s also the song that invented the power chord, ensuring Townshend and Blackmore are forever in his debt. Music! Yes, the UK had its very own Elvis, for a time at least, and sent his debut single straight to No.2. Sometimes the best songs are the most simple. Either way, it’s the latter’s version that rules, and proves beyond dispute why the guy was dubbed “the king of slide guitar”. One of the many tracks that’s been claimed as the first rock and roll record (alongside efforts from Fats Domino, Bill Haley, and Roy Brown), the Pelvis’ cover of blues singer Arthur Crudup’s ‘That’s All Right’ is certainly the one that broke him. On its initial release ‘Reet Petite’ was a throaty solo debut for Wilson, who had just left his band The Dominoes, and a lyrical inspiration for Van Morrison’s 1972 R&B classic ‘Jackie Wilson Said’. (Put Another Nickel In) Music! 1. List of #1 R&B Singles for 1950. Easily one of the most recognisable cuts in the entire list, Valens’ adaption of a Mexican folk song is jam-packed with infectious refrains, classic guitar lines and monster drumming. 1950 was certainly the year of the brother and sister acts. Written and arranged by one Ike Turner, who turns in the rolling piano too, it was released on Chicago blues label Chess with singer Jackie Brenston taking all the glory and publishing cash. Patti Page, the biggest-selling female artist of the decade, did the honours. Over a simple piano figure and a nursery rhyme like melody, these “good times” sound like they’re nothing more salacious than a game of Scrabble and some warm Ribena. Subsequently revived by all manner of crooners, from Michael Bolton (questionable) to Aretha (worth a listen). The Mills Brothers put four on this list, the Ames Brothers three, the Andrews Sisters two. Played live since his Delta blues days in the ‘30s and honed for two decades before its release in ’56, it sees harmonica, train references and a repeated E major chord collide to mesmerising effect. That riff, that piano, and that chorus – all packaged into a timeless track about rock ‘n’ roll itself. Featuring one of the dirtiest riffs this side of Jimmy Page’s fretboard, this is five minutes of low down, grungy, swampy blues at its best, Muddy Waters delivering his gravelly take on Willie Dixon’s classic, which incidentally refers to a provocative belly dance from the late nineteenth century. The comically named Spaniels formed at school in 1952 and clocked their biggest with this evergreen doo-wop number two years later. Parping sax and handclaps drove a kinetic track that earned a reputation as a crucial bridge between black music and white audiences, and it remains the calling card of a band that endures with Speedoo Carroll still upfront. Chuck Berry’s first record, and first hit, pumped more excitement and genius guitar work into its short few minutes than most post-millennial bands muster in a career. Top Songs of 1950. The book covers only the post-Rock and Roll charts of the decade (late 1955 through 1959), but includes the pre-rock style of hit songs that still charted regularly, if less so as time wore on. Over 80% of those songs have streaming audio which can be played as individual tracks or through one of the site's many jukeboxes or playlists. It would become a standard for any jazz/soul singer hoping to prove their chops, picked up by Aretha Franklin, Sarah Vaughan and – naturally – Rod Stewart. Top 100 Songs of the Decade: 1950-1959: These are the top 100 songs from the 1950s according to Dave’s Music Database. Chess brothers Leonard and Phil also helmed this Chuck Berry number, a riffing, jangling template that Berry would habitually plunder as he struggled to maintain his later career. Danny Rapp sustains his lead vocal over a breakneck couple of minutes, but it’s baritone Joe Terranova who steals the show. Jack White’s so enamoured with her he once covered another of her numbers, ‘Conquest’. Penned by legendary songwriting duo Leiber and Stroller, this bit of teenage harrumphing and door slamming was given to vocal harmony group The Coasters and, rather confusingly, played out like “a white kid’s view of a black person’s conception of white society,” according to Leiber. https://www.youtube.com/watch?v=8XxGUIbYjmY. Rock n' roll caused an explosion in the world music scene like few others, but it also signaled a taste change in what made America laugh: while the pre-rock novelties of the '50s were occasionally clever, they were also usually staid, the remnants of the Greatest Generation's safe, homespun humor. What'd I Say - Ray Charles 4. But that’s not his fault. Banned from some extremely prudish radio stations on its release, due to its perceived suggestive content, this smooth pop ditty is two minutes flat of teenage high jinx and sweet harmonies that went on to garner the dubious accolade of being George Dubya’s favourite track. King and – well – how much time have you got? An air of otherworldly mystery hangs about this bluesy stomp. It took a claymation video to finally shoot ‘Reet Petite’ to the top of the UK charts at the end of 1986, at that point setting a record for longest gap between release and hitting No.1. 3. As introductions go, this was hard to beat. The smooth, daytime jazz waltz became one of his trademark tracks. The walking bass and skipping keys found favour with the late 80s jazz vampires who sent it top 5 in the UK. Combining the boogie of Pete Johnson with Jelly Roll’s jazz and the piano virtuosity of Fats Domino, Huey Smith was a seminal r ‘n’ b pianist whose tunes heavily influenced early rock and roll. His first commercial release was recorded in an impromptu jam featuring guitars, upright bass and no drums. They deserve their longevity with this meaty doo-wop stayer led by Fred Parris’s clearcut vocals and backed by rootsy, grainy sax. Almost krautrock in its relentless, headlong rhythm, Little Richard’s ‘Lucille’ showcases the flamboyant rock’n’roll pianist at his blistering best. He left behind this delicate ballad – reputedly the first record Paul Simon ever bought – that lives on in 50s-fuelled movies like Stephen King’s Christine and, of course, Back To The Future. Last Updated: 2013-03-28. Where’s it going? It also meant that it was just a matter of time before songs were written about them. From its brassy train whistle to the evocative lyrics, few tunes encapsulate a sense of travel and wonder as this early ‘50s classic. 1950 Music Alphaville Forever Young Music Songs Music Videos Easy Listening Music Greatest Songs Greatest Hits Love Songs Amazing Songs. The Top Songs from 1950 : Pop : Muddy Waters - "Rollin' Stone" Jamrock : Top 100 Songs of 1950 : Pop : Fats Domino - "The Fat Man" RateYourMusic.com : Top Singles of 1950 : Pop : Fats Domino - "The Fat Man" Play Music Trivia * If there are charts that belong on this page or there are links that no longer work, please contact Alaska Jim. One of the rawest early rock tracks, Bo Diddley’s self-regarding jerker has been covered, ripped off and filleted repeatedly since. Originally a Glenn Miller jazz standard from the early ‘40s, this classic was revived by Louis Armstrong at the end of the decade and reworked by Elvis Presley and Little Richard. 100 best tracks of the ’50s – Spotify playlist Rankings are figured by combining sales figures, chart data, radio airplay, video airplay, streaming figures, awards, and appearances on best-of lists. A meld of baby rock’n’roll and doo-wop, The Cadillacs’ ‘Speedoo’ was so called after their lead singer Earl Carroll’s nickname. Now most famous for the combination of Ray Charles sample and Jamie Foxx impression that cooked up the gold dust for Kanye West’s stupendous ‘Gold Digger’ in 2005, ‘I Got A Woman’ itself takes inspiration from gospel song ‘It Must Be Jesus’, in the process marking out the territory for what would become soul music. This is the one that shoved rock’n’roll into the charts, but for an essentially teen movement it was odd to see Bill Haley front and centre. As legend would have it, this track was penned by Williams about his first wife, but dictated to his second wife, whilst he was driving. Covered by countless artists – Peggy Lee, Madonna, Beyoncé, funk don George Clinton, The Doors, you name ’em – Otis Blackwell and Eddie Cooley’s ‘Fever’ was originally recorded, reluctantly, by R&B warbler Little Willie John. With tremolo guitar from Chet Atkins, ‘All I Have To Do Is Dream’ is one of the decade’s more saccharine options, but proved how vital harmonies could be to a song’s DNA. Makes you proud to be human. After years of prom-friendly sweetness, here was a track that finally soundtrack the rampant, fiery nature of spurned love. that appeared on her debut album but only made megahit status when it was used for a 1987 Chanel No.5 advert. A sweet love letter to his darling full of earnest sentiment and unashamed admiration, this beautiful track saw Cooke shift from his gospel roots to a more soulful direction. Elvis may have the more popular version but nobody delivers ‘Hound Dog’ like the Mama; altering her inflections on every line she delivers by far the most captivating rendition. Chuck Berry’s cut remains the set text, though. These are the top 100 songs of all time.. A bluesy rock and roll number with a dour undercurrent, it was Elvis’ first number one. If there were any blues contained in this summer, we couldn’t detect them. Jimmy Reed’s first US chart hit, ‘Honest I Do’ is a slow blues drawl featuring guitar and harmonica duelling from the man himself. Bob Dylan’s favourite intrumental has been pilfered by Tarantino (Pulp Fiction), Rodriguez (Roadracers), Spongebob and the Sopranos. Where’s it coming from? Top 100 Songs of 1950 Year: All Time 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1971 1970 1969 1968 1967 1966 1965 1964 1963 1962 1961 1960 1959 1958 1957 1956 1955 1954 1953 1952 1951 1950 It was co-written by nominal lead singer Pookie Hudson and Calvin Carter and its “doh-doh-doh” vocal rhythms often rear up on other records, including Pete Wingfield’s 1975 pastiche ‘Eighteen With A Bullet’ featured on the Lock, Stock And Two Smoking Barrels soundtrack. In the world of rock mythology, ‘Heartbreak Hotel’ was inspired by a real life suicide, the story of which propelled songwriting duo Axton and Durden to pen this track. Once the adolescent screams had abated, ‘Don’t Be Cruel’ was revealed to be a jaunty 50s jive-a-thon, a simple plea from a puppy dog faced Elvis to not dismiss his pure, beating heart of love. An ancient 29 – and appearing years older – Haley nevertheless led a well-drilled band and he and his Comets toured incessantly to establish themselves as unexpected trailblazers.
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