[23] This was the singular image that accompanied the original LP, as it "was concealed in a plain, black inner sleeve, no lyrics and with no photo on the back cover. WEEK #1: Grace Jones- Nightclubbing, 1981. It also analyzes reviews to verify trustworthiness. She's brilliant. "[13] The magazine also considered Nightclubbing to be an important exponent of sophisti-pop, placing it "somewhere between art-pop and dub"; it also described its sonority as "a lush landscape of surrealist synth-pop. It is considered one of the early convergences of "fashion, art, and music". "When we were in the studio with Grace, there was a big picture of her – a, "I wanted a rhythmic reggae bottom, aggressive rock guitar, atmospheric keyboards in the middle, and Grace on top. "[47] Deanne Pearson of Smash Hits said that Jones' voice has "neither range nor power", but "the arrangements and production almost make up for this. Contains 'Walking in the Rain', 'Demolition Man' and the all-time classic 'Pull Up to the Bumper'. "[9] T. Cole Rachel, writing for the same publication, argued that Jones succeeds not by the power of her voice, but by the power of her persona, writing: "As she would go on to prove in later efforts, it was the monolithic force of her personality—imperious, feral, queer in the truest sense of the word—that would make these songs so compelling. The Idiot (album)-Wikipedia. Critics and scholars have noted the album's influence on popular music, especially how its unique sound has been emulated by both pop and alternative acts, and how the persona Jones adopted – deeply influenced by art and fashion – has had an enduring influence in modern female pop singers. [10] In Record Collector Kris Needs said that "Nightclubbing still sounds like nothing else released during the 80s, though its colossal influence repeatedly reveals itself". CD $ 11.39 $11.99 Save 5% Current price is $11.39, Original price is $11.99. Bond villain. [6], As the disco backlash began in earnest, Jones veered towards the contemporary new wave style. You Save 5%. ^ Shipments figures based on certification alone. "[4] These records "operated around the camper end of the spectrum," and built a large gay cult following around the singer. We work hard to protect your security and privacy. [40] and Aktuelle Schaubude in West Germany.[41]. [17] Robert Christgau was less enthusiastic. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. By signing up you agree to receive news and offers from Grace Jones. Pull Up To The Bumper trucks along with car horns and a scratchy hook. Vinyl, Import, Special Edition, June 23, 2009. The song was later covered by Grace Jones, and released as the last single from her album Nightclubbing (May 1981). I never really listened to Grace Jones back when she was popular. Help others learn more about this product by uploading a video! She is shot with her signature flat top haircut and her chest bones showing; her dark skin confers upon the image a violet, blue-black colour. Simply put, the best album released by Grace Jones (to date), now with an extra disc of extended versions, remixes and a couple of new tracks. "[48] Miriam Kershaw positioned Jones "not as a singer or a diva, but as a piece of art", and argued that she "worked to destabilise racist and sexist clichés as she charted a dynamic course through the history of the Black diaspora, to celebrate its vibrant contemporary form. By all means a phenomenal pop album that hit number nine on the black albums chart and … Reviewed in the United States on November 19, 2005. Genres: Art Pop. Whether you wear women's clothing or men's clothing you’ll find the original artwork that’s perfect for you. These items are shipped from and sold by different sellers. For PMDC, France see Nightclubbing and Nightclubbing.For Universal M & L, France see Nightclubbing.For Sony DADC, Austria see Nightclubbing. Each song drips with icy beats and her cool, fierce voice powering through! Full content visible, double tap to read brief content. It secured top 20 positions in several European countries and became another signature song for Jones. Final overdubs and additional songs were recorded during 1981. As a result, these sessions resulted in two studio albums: Warm Leatherette – released in 1980 – and Nightclubbing. [43] Uncut's Piers Martin called Nightclubbing "the album that came to define Jones as the complete performer, in her own way, as singer, muse, actress, alien and androgyne. In fact, it's the most played song on my MP3 player. "[2], — Producer Chris Blackwell, The Pitchfork Review, 2015[7], Continuing the orientation of Jones' previous release Warm Leatherette, Nightclubbing is a pop album that forays into new wave[9][10][11] and dance,[2][12] while in terms of rhythm it is, ostensibly, a reggae record.
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